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The next generation in adventure games, Syberia 3 takes you inside an enchanting, mysterious universe full of life for you to explore in 3D. Stuck in Valsembor village, together they must find a way to continue their journey in a race against their enemies and unexpected obstacles, not to mention Kate's past, which catches up with her. After abandoning the island, Kate is found dying on the edge of a river by the Youkole tribe, a nomadic people migrating with their snow ostriches. The limitless imagination of Benoît Sokal continues in Syberia 3, focusing on an entirely new adventure. Adventure games are something that many gamers like to play, as it puts them in situations they wouldn't be able to go through themselves.Author and creator : Benoît Sokal Overview: The Syberia series has been one to try push the adventure series forward, and now, with Syberia 3, you'll get to take the next step in the adventures of Kate Walker. If you don't know Kate, she was a lawyer from NYC. She was given a mission, a somewhat simple mission, but we all knows those don't work out. Thankfully, she's found by the Youkole tribe.įor it soon became a quest of great personal importance, and alongside an automaton named Oscar, she completed Hans Voralberg's dream of finding the last mammoths, who were on the island of Syberia.īut that was then, and this is now, Kate has left the island of Syberia, and almost dies. However, they soon become tuck in Valsembor village. Now getting desperate, Kate must help the tribe advance before dangerous both new and familiar catch up with them. This grand 3D adventure is definitely one for those who love adventure games.

The world of Syberia 3 is filled with not only action and dangers, but characters and story that are written by the legendary Benoit Sokal. You'll find that Syberia 3 is very different from the first two games in the series, and that was exactly the point. The story is only amplified by the beautiful art design, which is being rendered in 3D for the first time in the series.There is a group of people who are going to buy Syberia 3, and they are going to love Syberia 3, no matter what it's like. If the released game were just a black screen from which only terrifying abuse were endlessly screamed, they would love it. If playing it caused them to develop sores all over their bodies, grow pustules that bubbled and burned, and wretched sickness and diarrhoea bugs afflict them and all their loved ones, they would refuse to hear a word said against it. If the game came to the homes of their families and stole all their valuables, and then sold those valuables and used the proceeds to take out an advertising campaign in which they stated, "Everyone who loves Syberia 3 is a paedophile", these people would still love Syberia 3, and send threatening messages to anyone who disagreed.

How do I know this? Because, man, I was there for Syberia 2, man. The original Syberia was released in 2002, a time during which I paid my rent by writing reviews of the endless sloughing of barely translated adventure games from Europe into our shores. Games like Curse: The Eye Of Isis, Dracula (Resurrection), The Black Mirror, Schizm: Mysterious Journey, and Jerusalem: The 3 Roads To The Holy Land. (All of which are reviewed in my archaic archive of early reviews, fans.) And oh boy, the hate I would receive for giving these dreadful games the low, low marks they deserved. Oh the forum wars that would erupt, the furious missives on the PC Gamer message boards, the angry letters. Because, as I've said before and I'll say again, adventure game fans are like heroin addicts: any game is a hit. Into this mire of bubbling shite appeared Syberia, looking like it was going to be exactly the same as the rest, the same overly glossy pre-rendered sheen, the same generic white 20-something like-a-cop female with a mobile phone that starred in 90% of them, the same ludicrous premise and cruddy menus. And then, out of the blue, like a shining golden goblet atop a mountain of rotting arse, it was. I gave it 78%! This was a game about a New York lawyer who'd been sent to France to sort out some sort of issue with a will over a clockwork toy factory. Why? Because it was 2002, man, you weren't there.